Expand your vision of what a fantasy story can be with tales by Peter S. Beagle, Lucius Shepard, Catherynne M. Valente, Paul Di Filippo, and others.Winner of the World Fantasy Award for Best Anthology Inspired by the literary salons of eighteenth-century France, Salon Fantastique brings together renowned authors to create and share new tales that show the fantasy form at its best. The resulting stories form a conversation between established and emerging writers, historical and contemporary fiction, timeless folklore themes and the immediacy of modern politics, traditional linear narratives, and more experimental storytelling. Kicking off the collection is Delia Sherman’s “La Fée Verte,” in which a nineteenth-century prostitute takes a lover among the other women in a Parisian bordello, a mysterious wraith who sees the past, present, and future. In Catherynne M. Valente’s “A Gray and Soundless Tide,” a woman shelters a selkie and learns her tragic story, while in Paul Di Filippo’s “Femaville 29,” a tsunami gives birth to a glorious new city rising from the imagination of children. In the intimate company of today’s master fantasists, you’ll be gifted with stories that will take the genre in directions you never could have imagined . . . “Bring[s] together mostly new fantasy writers, most of them contributors to previous Datlow/Windling books and perhaps forming a distinct ‘school.’ Call it American magic realism.” —Publishers Weekly “A roster of fifteen contributors to make any lover of literary fantasy go weak at the knees. . . . an anthology that rewards reflection.” —Strange Horizons

A loveably cantankerous 80-year-old reflects on life, love, and solitude on the isle of Guernsey in this “masterpiece” hailed as “one of the best novels of our time” (New York Times).“Literally one of a kind . . . a true epic, as sexy as it is hilarious.” —O MagazineEbenezer Le Page, cantankerous, opinionated, and charming, is one of the most compelling literary creations of the late twentieth century. Eighty years old, Ebenezer has lived his whole life on the Channel Island of Guernsey, a stony speck of a place caught between the coasts of England and France yet a world apart from either. Ebenezer himself is fiercely independent, but as he reaches the end of his life he is determined to tell his own story and the stories of those he has known. He writes of family secrets and feuds, unforgettable friendships and friendships betrayed, love glimpsed and lost. The Book of Ebenezer Le Page is a beautifully detailed chronicle of a life, but it is equally an oblique reckoning with the traumas of the twentieth century, as Ebenezer recalls both the men lost to the Great War and the German Occupation of Guernsey during World War II, and looks with despair at the encroachments of commerce and tourism on his beloved island. G. B. Edwards labored in obscurity all his life and completed The Book of Ebenezer Le Page shortly before his death. Published posthumously, the book is a triumph of the storyteller’s art that conjures up the extraordinary voice of a living man.

A New York Times Notable Book, an NPR Best Debut of the Year, and a PEN/Hemingway finalist.   These linked stories follow Sabina as she navigates her shifting identity as a daughter of the Colombian diaspora, and struggles to find her place within and beyond the net of her strong, protective, but embattled family.   In “Lucho,” Sabina’s family—already “foreigners in a town of blancos”—is shunned by the community when a relative commits an unspeakable act of violence, but she is in turn befriended by the town bad boy, who has a secret of his own. In “Desaliento,” Sabina surrounds herself with other young drifters who spend their time looking for love and then fleeing from it—until reality catches up with one of them. And in “Vida,” the urgency of Sabina’s self-imposed exile in Miami fades when she meets an enigmatic Colombian woman with a tragic past.   “Vida calls to mind some of the best fiction from recent years. Like Elizabeth Strout’s Olive Kitteridge, Engel uses stories about connected characters to illuminate her main subject, in this case Sabina, who moves with her family from Bogotá, Colombia, to New Jersey. Engel brings Sabina’s family and culture to life with a narrative style reminiscent of Junot Díaz’s The Brief Wondrous Life of Oscar Wao . . . Vivid, memorable . . . An exceptionally promising debut.” —The Plain Dealer