Escape to paradise with this hilarious and feel good second chance romantic comedy from BESTSELLING author Olivia Spring. For fans of Meghan Quinn and Emily Henry? Tropes & Themes ? ? Holiday Romance ? Matchmaking ? Forced Proximity ? Reunion Romance ? Instant Attraction ? Enemies to Lovers ? Second Chances ? All the spice ?What if the one who got away is really the one?When Stella finds herself back home with a string of disastrous dates under her belt, she's certain she’s hit rock bottom. Until she discovers her mother has signed her up to The Love Hotel: a luxury matchmaking service where a perfect love match is guaranteed! Stella is adamant she'll have nothing to do with this nonsense! But then a match is found faster than she can say 'Not. A. Chance!' So, how bad can two weeks in the scorching Spanish sunshine be?Very bad, actually. Because when Stella arrives, she’s mortified to learn her date is no perfect stranger. In fact she knows him a little too well. Because Max is the childhood sweetheart who broke her heart, who her heart remembers and who is more gorgeous than ever.With no refunds, Stella reluctantly decides to stay and enjoy the holiday - all she has to do is keep Max at an arm’s length...right? Easier said than done when Max is impossible to ignore. And as the Love Hotel begins to work its matchmaking magic, Stella can't deny that the sparks still sizzle between them. And maybe, the experts were right after all...Praise for Olivia Spring:This book was absolutely mind-blowing! I loved everything about it, especially the undeniable chemistry between the two main characters. ?????All I have to say is, READ THIS BOOK! ?????This was great, I love when a book can make me actually laugh out loud! ?????

“A deft and unflinching exposé on America’s treatment of people of color” from the attorney who took on the George Floyd and Breonna Taylor cases (Kenya Barris, creator of Black-ish).As seen on CBS This Morning, award-winning attorney Ben Crump exposes a heinous truth in Open Season: Whether with a bullet or a lengthy prison sentence, America is killing black people and justifying it legally. While some deaths make headlines, most are personal tragedies suffered within families and communities. Worse, these killings are done one person at a time, so as not to raise alarm. While it is much more difficult to justify killing many people at once, in dramatic fashion, the result is the same—genocide.Taking on such high-profile cases as George Floyd, Ahmaud Arbery, Breonna Taylor, Trayvon Martin, Michael Brown, and a host of others, Crump witnessed the disparities within the American legal system firsthand and learned it is dangerous to be a black man in America—and that the justice system indeed only protects wealthy white men.In this enlightening and enthralling work, he shows that there is a persistent, prevailing, and destructive mindset regarding colored people that is rooted in our history as a slaveowning nation. This biased attitude has given rise to mass incarceration, voter disenfranchisement, unequal educational opportunities, disparate health care practices, job and housing discrimination, police brutality, and an unequal justice system. And all mask the silent and ongoing systematic killing of people of color.Open Season is more than Crump’s incredible mission to preserve justice, it is a call to action for Americans to begin living up to the promise to protect the rights of its citizens equally and without question.

Revealing the central yet intentionally obliterated role of Africa in the creation of modernity, Born in Blackness vitally reframes our understanding of world history.Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the “New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity?In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanizing engagement with the “dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not—as we are so often told, even today—Europe’s yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa.Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history.While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories—siloed and piecemeal—were swept into secluded corners, thus setting the stage for the hagiographic “rise of the West” theories that have endured to this day.“Capacious and compelling” (Laurent Dubois), Born in Blackness is epic history on the grand scale. In the lofty tradition of bold, revisionist narratives, it reframes the story of gold and tobacco, sugar and cotton—and of the greatest “commodity” of them all, the twelve million people who were brought in chains from Africa to the “New World,” whose reclaimed lives shed a harsh light on our present world.

Winner of the 2021 World Fantasy Award • ALA Alex Award • Ignyte Award • AABMC Literary AwardWinner of the 2020 New England Book Award for FictionA 2021 Finalist for the NAACP Image Award for Best Outstanding Work of Literary Fiction • Hugo Award Finalist • Nebula Award Finalist • Locus Award Finalist • A Goodreads Choice Awards FinalistNamed a Best of 2020 Pick for NPR • Wired | Book Riot • Publishers Weekly • NYPL • The Austen Chronicle • Good Housekeeping • Powell's Books • Den of Geek"Riot Baby, Onyebuchi's first novel for adults, is as much the story of Ella and her brother, Kevin, as it is the story of black pain in America, of the extent and lineage of police brutality, racism and injustice in this country, written in prose as searing and precise as hot diamonds." —The New York Times"Riot Baby bursts at the seams of story with so much fire, passion and power that in the end it turns what we call a narrative into something different altogether." —Marlon James Ella has a Thing. She sees a classmate grow up to become a caring nurse. A neighbor's son murdered in a drive-by shooting. Things that haven't happened yet. Kev, born while Los Angeles burned around them, wants to protect his sister from a power that could destroy her. But when Kev is incarcerated, Ella must decide what it means to watch her brother suffer while holding the ability to wreck cities in her hands. Rooted in the hope that can live in anger, Riot Baby is as much an intimate family story as a global dystopian narrative. It burns fearlessly toward revolution and has quietly devastating things to say about love, fury, and the black American experience. Ella and Kev are both shockingly human and immeasurably powerful. Their childhoods are defined and destroyed by racism. Their futures might alter the world.

A prominent romance author has a slump in her love life and book sales, but a chance encounter with a hot firefighter helps her reignite her muse in this swoony holiday romance, perfect for book romantics. Saira Wright is a prominent Black romance author who has been signed to the most prestigious publisher of African American works, Brownstone Literature. Her career has been successful for the past five years. However, she’s in a slump, and so are her sales and reviews. The romance she has been known for seems to be zapped out of her stories . . . and her love life. Eager to get Saira back on top of the charts, her publisher has given her an ultimatum—write a chart-topping holiday romance or be dropped from the publishing house. There’s only one problem: Saira strongly opposes penning holiday books. To her, they are cliché and off-brand, but with her career on the line, she’s forced to give it a shot. To capture the spirit of the holidays, she books a vacation in the most “Christmassy” town she can find. Sharing the other side of her rented duplex is the owner, Dorian Black, a volunteer firefighter, and the town’s little league football coach. He’s also “Mr. December” in the firefighter’s annual fundraising calendar . . . and every woman’s dream. Years ago, Dorian was happily married to the love of his life until cancer took her away from him. Still coping with the loss, a romantic relationship is the furthest thing from his mind. However, when he encounters his new tenant for the holiday, sparks fly and a fire is ignited that not even he can extinguish. As the two navigate through various encounters, holiday festivities, and a snowstorm, will the magic of Christmas help them rediscover a long-awaited connection?

Ordinary people don't experience history as it is taught by historians. They live across the convenient chronological divides we impose on the past. The same people who lived through the Civil War and the eradication of slavery also dealt with the hardships of Reconstruction, so why do we almost always treat them separately? In Children of Fire, renowned historian Thomas C. Holt challenges this form to tell the story of generations of African Americans through the lived experience of the subjects themselves, with all of the nuances, ironies, contradictions, and complexities one might expect.Building on seminal books like John Hope Franklin's From Slavery to Freedom and many others, Holt captures the entire African American experience from the moment the first twenty African slaves were sold at Jamestown in 1619. Each chapter focuses on a generation of individuals who shaped the course of American history, hoping for a better life for their children but often confronting the ebb and flow of their civil rights and status within society. Many familiar faces grace these pages—Frederick Douglass, W.E.B. DuBois, Martin Luther King, and Barack Obama—but also some overlooked ones. Figures like Anthony Johnson, a slave who bought his freedom in late seventeenth century Virginia and built a sizable plantation, only to have it stolen away from his children by an increasingly racist court system. Or Frank Moore, a WWI veteran and sharecropper who sued his landlord for unfair practices, but found himself charged with murder after fighting off an angry white posse. Taken together, their stories tell how African Americans fashioned a culture and identity amid the turmoil of four centuries of American history.