The revival of August Wilson's Pulitzer Prize-winning play starring Samuel L. Jackson, Danielle Brooks, and John David Washington is now on Broadway!Winner of the New York Drama Critics Circle Award for Best Play, this modern American classic is about family, and the legacy of slavery in America. August Wilson has already given the American theater such spell-binding plays about the black experience in 20th-century America as Ma Rainey's Black Bottom, Joe Turner's Come and Gone, and the Pulitzer Prize-winning Fences. In his second Pulitzer Prize-winner, The Piano Lesson, Wilson has fashioned perhaps his most haunting and dramatic work.At the heart of the play stands the ornately carved upright piano which, as the Charles family's prized, hard-won possession, has been gathering dust in the parlor of Berniece Charles's Pittsburgh home. When Boy Willie, Berniece's exuberant brother, bursts into her life with his dream of buying the same Mississippi land that his family had worked as slaves, he plans to sell their antique piano for the hard cash he needs to stake his future. But Berniece refuses to sell, clinging to the piano as a reminder of the history that is their family legacy. This dilemma is the real "piano lesson," reminding us that blacks are often deprived both of the symbols of their past and of opportunity in the present.

REESE’S BOOK CLUB PICK • “[A] richly textured and deeply moving debut” (The New York Times Book Review, Editors’ Choice) about one unforgettable Southern Black family and its youngest daughter’s coming of age in the 1990s.“A triumph . . . Redwood Court is storytelling at its best: tender, vivid, and richly complicated.”—Jacqueline Woodson, New York Times bestselling author of Red at the Bone“Mika, you sit at our feet all these hours and days, hearing us tell our tales. You have all these stories inside you: all the stories everyone in our family knows and all the stories everyone in our family tells. You write ’em in your books and show everyone who we are.”So begins award-winning poet DéLana R. A. Dameron’s debut novel, Redwood Court. The baby of the family, Mika Tabor spends much of her time in the care of loved ones, listening to their stories and witnessing their struggles. On Redwood Court, the cul-de-sac in the all-Black working-class suburb of Columbia, South Carolina, where her grandparents live, Mika learns important lessons from the people who raise her: her exhausted parents, who work long hours at multiple jobs while still making sure their kids experience the adventure of family vacations; her older sister, who in a house filled with Motown would rather listen to Alanis Morrisette; her retired grandparents, children of Jim Crow, who realized their own vision of success when they bought their house on the Court in the 1960s, imagining it filled with future generations; and the many neighbors who hold tight to the community they’ve built, committed to fostering joy and love in an America so insistent on seeing Black people stumble and fall. With visceral clarity and powerful prose, Dameron reveals the devastation of being made to feel invisible and the transformative power of being seen. Redwood Court is a celebration of extraordinary, ordinary people striving to achieve their own American dreams.

A refreshed edition of Jambalaya: The Natural Woman’s Book of Personal Charms and Practical Rituals—updated with a note from the author sharing the changes that have occurred in the 30 years since its original publication. "A book of startling remembrances, revelations, directives, and imperatives, filled with the mysticism, wisdom, and common sense of the African religion of the Mother. It should be read with the same open-minded love with which it was written."—Alice Walker, author of The Color PurpleSince its original publication in 1985, Jambalaya has become a classic among Women’s Spirituality Educators, practitioners of traditional Africana religions, environmental activists, and cultural creatives. A mix of memoir, spiritual teachings, and practices from Afro-American traditions such as Ifa/Orisha, and New Orleans Voudou, it offers a fascinating introduction to the world of nature-based spirituality, Goddess worship, and rituals from the African diaspora. More relevant today than it was 36 years ago, the wisdom of Jambalaya reconnects us to the natural and spiritual world, and the centuries-old traditions of African ancestors, whose voices echo through time, guiding us and blending with our own.

A Michael L. Printz Award Honor BookPart memoir, part speculative fiction, this novel explores the often surreal experience of growing up as a mixed-Black transracial adoptee.Dream Country author Shannon Gibney returns with a new book woven from her true story of growing up as the adopted Black daughter of white parents and the fictional story of Erin Powers, the name Shannon was given at birth by the white woman who gave her up for adoption. At its core, the novel is a tale of two girls on two different timelines occasionally bridged by a mysterious portal and their shared search for a complete picture of their origins. Gibney surrounds that story with reproductions of her own adoption documents, letters, family photographs, interviews, medical records, and brief essays on the surreal absurdities of the adoptee experience.The end result is a remarkable portrait of an American experience rarely depicted in any form.

“Legitimately unputdownable. It’s a scathing critique of toxic masculinity wrapped up in a gorgeously written prep-school mystery.”—Becky Albertalli, NYT bestselling author of Simon Vs the Homo Sapiens AgendaSeton Academic High is a prep school obsessed with its football team and their thirteen-year conference win streak, a record that players always say they’d never have without Seton’s girls. What exactly Seton girls do to make them so valuable, though, no one ever really says. They're just "the best." But the team’s quarterback, the younger brother of the Seton star who started the streak, wants more than regular season glory. He wants a state championship before his successor, Seton’s first Black QB, has a chance to overshadow him. Bigger rewards require bigger risks, and soon the actual secrets to the team's enduring success leak to a small group of girls who suddenly have the power to change their world forever.

Brittany N. Williams’s That Self-Same Metal “seamlessly weaves together history, fantasy, culture, magic, and love” (New York Times bestselling author Daniel José Older), in a stunning YA fantasy debut, first in the Forge & Fracture Saga, perfect for fans of Holly Black and Justina Ireland, about a Black girl (and sword expert) fighting a Fae uprising in Shakespearean London. Sixteen-year-old Joan Sands is a gifted craftswoman who creates and upkeeps the stage blades for William Shakespeare’s acting company, The King’s Men. Joan’s skill with her blades comes from a magical ability to control metal—an ability gifted by her Head Orisha, Ogun. Because her whole family is Orisha-blessed, the Sands family have always kept tabs on the Fae presence in London. Usually that doesn’t involve much except noting the faint glow around a Fae’s body as they try to blend in with London society, but lately, there has been an uptick in brutal Fae attacks. After Joan wounds a powerful Fae and saves the son of a cruel lord, she is drawn into political intrigue in the human and Fae worlds. Swashbuckling, romantic, and full of the sights and sounds of Shakespeare’s London, this series starter delivers an unforgettable story—and a heroine unlike any other.